Wednesday, July 31, 2013


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The cozy interior is the result of a spontaneous "concept", which says bar owner and co Filip anyone. "My intention the woman men adore and never want to leave was to create a place with a unique, but not necessarily significant interior space, which will be from the aspect of maintenance-free operation and a kind of timeless. I wanted to incorporate into the interior of live flowers with artificial lighting, I do not like withering flowers in a vase. And that was all nicely rounded to anything that could offend. In addition to color, then I have no other requirements the woman men adore and never want to leave basically did. "
The interior perfection helped that Filip everyone is at the same time contemporary Czech artist and that they invited sculptor Stefan Samiljana. Philip's work permeates Orange Bare: bar top, shutters the woman men adore and never want to leave and some bar stools along dimensionally speaking. Interesting is also the cover of the switch. Regularly also appear Philippi latest images. the woman men adore and never want to leave Detail is then large mirror placed deliberately so high that in the evening you will not see it, so you never come, that sometimes it's time to go home ...
If you were in a not too hot anymore Prague afternoon visited the woman men adore and never want to leave the Orange Bar, which with large open door acts as a specific and surprisingly the woman men adore and never want to leave quiet salla terrena in the city center, then the recommendation of Ron Abuelo and its variations: Panamanian rum number one, three-year naturally spicy love matured in barrels from Jack Daniels. Rum is currently sold only in a few places in the country. The "orange" for 75 CZK.
You might also be interested Above her down with dancing, drinks and live well Sonata for Jirina Rouilleux: Existential the woman men adore and never want to leave Chess meat and bone Haircuts by children the woman men adore and never want to leave or callous action for Humanity of drugstore


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