Few remember is that the same catchy melody, under which

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The highest hill in Paris - Montmartre. Until the middle of the XIX century, it was known for its vineyards and windmills. Now in Montmartre there was only one, but the most recognizable - Red Mill in translation - "Moulin Rouge", the world famous cabaret with enchanting dance show and of course the famous traditional French kankanom.Frantsuzy say, 'Who was in Paris and had not visited Moulin Rouge, he will not be able to fully understand what is Paris. " After all, the Moulin Rouge - is also part of the history

of Paris, it's more than a melodramatic story, told in the same film, it's - the symbol. Symbol come true and dashed hopes, broken hearts, service de table and are connected, creativity and vice, beauty and ugliness.

Moulin Rouge has become the place where entertainment has united the most diverse groups of people, mix of artists, drunks, thieves, prostitutes, artists, the bourgeoisie and the aristocracy. It blurs the boundaries between high and low, between art and shows, between individual and collective, are vulgar spectacle was the subject of admiration and a symbol service

de table of refined service de table taste. Let's find a more detailed history of this seems immortal work.
The date of birth of the Moulin Rouge was the day of Oct. 6, 1889, when gentlemen Oller and open the doors for the first time Zidler service de table cabaret "Moulin Rouge Ball." Brilliant idea - quadrille, which has become an immortal creature, nicknamed in the future with the light hand of the English "French cancan" identified since the famous red windmill, crowning the building of the theater in the Montmartre district. It's only been a few months since a music hall welcomed its first visitors, and how it is "to go to the Moulin Rouge" will soon have told all Paris
A close look will see that this funny symbolic charge of the time are all the characters of Montmartre - minister of the church, is still climbing up the steps to the hill to the Basilica of Sacre-Coeur (read - to paradise!), But (sic!) with an eye , black cat, who went his way and located below - a symbol of sin and the sin of the same name cabaret; mistress blemish (read - the cat!) young mademoiselle, bottom, (read - the sin of hell!) gradually seduces a minister, and of course to the left (sic!) mill, this was the new Olympus ... Because now there, in the Moulin-Rouge, all baptized into the new faith!
Solve all the crucial service de table personnel issue and recruit staff to perform some simple tasks with show business was a matter of simple - boring province regularly supplied to the City-Light of live goods, so prospered and a wide choice and healthy competition service de table - and now you can evaluate the validity of the then rates !
To look at the stunning, extraordinary expressive service de table dancers with such names as La Goulue (in a literal translation - "glutton"), Reyon d'Or ("Golden Ray"), Nini-Pat en L'Heureux ("Nini-foot up "), here visitors came from all over the mira.Odna of them - La Goulue (Louise Weber, service de table a native of Alsace) has become a real decoration of the Moulin Rouge. She was destined to become one of the most famous dancers of his time
She made her debut in theater at the age of 19 in 1890. Very soon it became the brightest star in "Moulin Rouge," his vicious and attractive service de table character. Traditionally Montmartre balls she got the nickname, La Goulue - Glutton. Because she loved, sitting down at tables for visitors to theater, good food and drink at their expense. La Goulue enjoyed resounding success, she was vulgar, sensual and piquant.
From her can-can shake walked the stage and the auditorium. It seemed a second, and everything will fall apart from the frenzied shot her strong, strong legs. In her contemporaries Kankan heard gunfire. It was not a dance, and the battle. Louise was not only a strong performer, but not devoid service de table of fancy dancer. She came up with their own version of the cancan. Spinning in the dance, Louise averted leg to the side, then took her foot and raised above his head. And then with the heartbreaking cry fell on the string.
But best of all great hubbub service de table see live, in motion, and the best example of how the Moulin Rouge looked 120 years ago, at the junction of the past centuries, will be filmed in 1954 a beautiful film of the same name MR, in which the role of the host theater plays Jean Gabin (Fr. Jean Gabin)
Few remember is that the same catchy melody, under which "for 10 hryvnia jump yak fools" began long before the opening of the Moulin Rouge, and not in connection with these jumps ... twenty-first of October 1858 in Paris at the Theatre Bouffe Parisien on the Champs-Elysees state