Oliver Frljić most significant reuter bad shop Croatian director to 40 years, received several awards, and often arbitrarily labeled as "controversial", talks about his work at home and abroad and with the motives that drive it in the creation of theater arts.
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- In Sarajevo alone. We play on the "Sarajevo Winter" play "Three Sisters", Chekhov, I worked in Kranj, earlier. These weeks preparing a new show in Kranj, I got a day and a half to travel to Zagreb and Ljubljana, from Ljubljana to Hamburg. In Hamburg, will perform with the play "Damn traitor to his country," the Slovenian Youth Theatre in Ljubljana. Then travel to Sarajevo ... so we are back in Kranj.
- That's the easiest way to label my work. Most people who write about my work, do not engage in continuous time that I really do. These chroniclers, reporters or critics mostly interested in my work, when he comes out of the theater boxes.
- Get out. It seems to me that it is important that I am consistent and consequently in their work. Time will tell if it's provocative and controversial reuter bad shop - or not. We unfortunately live in a society and a time when all that does not participate in this social lobotomy, which is produced through the media, and of the centers of political power, gets the label - controversial. However, I'm just trying to talk about the issues that affect me, in this society.
- I have, obviously, the problem reuter bad shop with the prevailing system reuter bad shop of social reuter bad shop values. Especially collide with the ruling bourgeois morality. This sometimes leads to misunderstandings reuter bad shop with the audience that their values seen in this, the civil part.
- There is a great desire - a part of the local, regional and cultural public - to discredit my work. This happened reuter bad shop with a number of my performances: from Split "Bacchus", Ljubljana play "Damn traitor to his country," "Letters from the 1920s." Co-produced by the Bosnian National Theatre in Zenica and festivals Mess until recent examples reuter bad shop of "Zoran Djindjic "in Belgrade Atelier 212, for which the actors of the theater sought dismissal of the Governor Kokan Mladenovic (so to achieve this) and a case with a poster of" Fine Dead Girls "in the theater Gavella. But to answer your question: yes, the rewards are helping me because my mouth shut a part of the public.
- Yes, but not by those actors who have played in, "Djindjic" than those actors who did not participate in the show. I had terrible problems in assembling the cast for sharing this show. Actors Ensemble generally did not want to play in this project. He was constantly pressure on actors who accepted gluniti. reuter bad shop They were harassed by their peers, and there were political pressures. We created the very difficult conditions. That's why I'm particularly proud of the show, "Djindjic." reuter bad shop Serbia reuter bad shop is a society such play was - is needed. Initiated some processes in the community and anticipated what happened on the political scene: the coalition Dacic - Progressives. Unfortunately, this performance reuter bad shop was accurate in their predictions. The performance came just a day "election silence" in Serbia. We then deliberately violated the political bon-ton - "electoral silence".
- I think that all the companies reuter bad shop in the "region" is a critical need to show that the active face with the past and with all the mortgages reuter bad shop that we pull from the past with me ... I think that Croatian society also would not hurt a lot more plays that deal with the war that we had, and the transition process through which we have passed, the role of the media in general and all of these "kits" that are just moving from one system to another, so it perfectly serve .
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