The main curator of the exhibition Philippos Mazarakis-Ainian from the Greek National Historical Mu

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Tags: Exhibition
The exhibition Images of the Balkans, makedonski vesti among other things, we learn that in the 19th century after Southeastern Europe cafes have become a comfortable space sorting newspapers and tasting desserts. Experience is often accompanied by piano or violin music. (Photo: makedonski vesti Thomas Lauko)
The exhibition, subtitled identity and memory in the long 19 Century is designed around the themes ranging from the history of exploitation and the creation of national heroes through social changes such as industrialization and secularization, the novelty of everyday life. The topics are also widespread culture of coffee drinking makedonski vesti and socializing new ways to bring. There are several opportunities for socializing will offer a follow-up program exhibition in Ljubljana will be on display until 25 August, and then will make the journey across the participating countries. Back in September will be on display makedonski vesti in Belgrade, followed by a move to Bucharest. Participation dozen museums
As explained by Jože Podpečnik Slovenian curator of the National Museum of Slovenia, the exhibition presents the phenomena of modernism and a new social order, including the middle makedonski vesti class, which is being established in the 19th century. Some kind of cohesive element of the exhibition is the coffee, which in this century enters into public spaces. makedonski vesti "Instead of looking for problems, the exhibition seeks what unites us," says Podpečnik.
The selection of exhibits, images and stories under the auspices of UNESCO and coordination involving twelve museum of national makedonski vesti history - from Cyprus, Albania, Bosnia and Herzegovina, Bulgaria and Croatia to Greece, Montenegro, Romania, Serbia, makedonski vesti Macedonia, Slovenia and Germany. For each of the themes are museum curators have chosen ten exhibits from the "long" 19th century in the range between when they started the French Revolution (1789) and the First World War (1914). Museum Chit-Chat makedonski vesti
Culture of drinking coffee is colored according to whether the region was under Ottoman or Austro-ogrskim influence. The exhibition also puts on display a coffeehouse bentwood furniture by the mid-19th century produced in Vienna. He Turkish company doing džezva from silver-plated copper and porcelain service, which are typically Vienna at the end of the century poured coffee in porcelain cups decorated. Besides they serve sugar, cream or milk and a piece of cake.
Coffee goes hand in hand with tobacco and so can be seen tobačnico, through which the rolling of cigarettes helped France Preseren. While the men went to the cafe, their wives in the main guest house. Visitors to the exhibition makedonski vesti namuzne nice Zenička, which is shown in Figure AIM Address makedonski vesti (1888) makedonski vesti between sipping coffee portrayed makedonski vesti John Kobilca. The exhibition emphasizes that drinking coffee boom in the 19th century witnessed the ever more middle class and social changes makedonski vesti of the period: the proliferation of public spaces, the democratization of time and space, and new ways of socializing. Balkans was only discovered in the 18th century
The main curator of the exhibition Philippos Mazarakis-Ainian from the Greek National Historical Museum in Athens has found the meaning of the selected object and connect makedonski vesti to the story, makedonski vesti while it is also open to the groundbreaking work of the Bulgarian historian and philosopher Maria Todorova 1997 imagery of the Balkans. In it, the author writes that the Balkans as a distinct geographical, social and cultural concept makedonski vesti of "discovered" by European travelers until the end of the 18th Century of difference to the rest of the then Ottoman Empire. Region, which lay at the crossroads makedonski vesti of three empires makedonski vesti and dynasties, have ruled the two of them, Ottomans and the Habsburgs, it is strongly influenced by the Romanov dynasty.
"The great irony is that it is precisely this century, which led to major divisions between nations and often bloody division and exclusion, supported by the ideology of uniqueness and distinction, on the other hand actually create still greater homogeneity. Commercial class, which competed with each other, connected the same way of life: furniture, food, fashion and taste, the enemy army were dressed in similar uniforms and kill each other with the same weapons, contradictory history, supported by maps were arguing the same territories were often printed with the same labels, and were designed by the same way of thinking, "the catalog accompanying the exhibition Todorova wrote. ut
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