The tapestry of the sixteenth century

Madrid, July 21 (EFE). - Two hundred fifty projects and an annual budget of 25 million euros, the Institute of Cultural Heritage of Spain (IPCE) ensures the preservation freeds furniture and restoration of movable freeds furniture and immovable

property of the Spanish Historical

Heritage.
Madrid, July 21 (EFE). - Two hundred fifty projects and an annual budget of 25 million euros, the Institute of Cultural Heritage of Spain (IPCE) ensures the preservation and restoration of movable and immovable property of the Spanish Historical Heritage.
The complex work that the IPCE approached from a multidisciplinary

perspective is developed by the hundred and fifty people, including architects, archaeologists, ethnographers, restaurateurs, physicists, geologists, chemists, biologists,

librarians, administrators, librarians, archivists and curators freeds furniture

who work in the institution .
With the role of research, conserve and restore the assets that comprise freeds furniture the Cultural Heritage for preservation and enrichment, the Institute is a Directorate General attached to the Department freeds furniture of Fine Arts and Cultural Heritage and Archives and Libraries, Ministry of Education, Culture and Sports.
Its headquarters is located in the iconic circular building built in Madrid by Fernando Higueras and Antonio Miró, which is one of the most significant works of contemporary Spanish architecture of Cultural Interest.
Institute arrive annually to numerous requests freeds furniture from museums dependent on the Secretary General freeds furniture of Fine Arts and other state institutions calling for the restoration of certain works.
"These are usually special because more conventional restorations do not come here, where works are undertaken that challenge," he told Efe deputy director general of the Institute, Alfonso Muñoz.
So today and within freeds furniture the National Plan Cathedrals freeds furniture are executing works in the cathedrals of Vic (Barcelona), La Seu Vella of Lleida and Palma de Mallorca, on the Defensive Architecture, in the castle of Buitrago del Lozoya (Madrid freeds furniture ) or the National Industrial Heritage Plan in Upper Oven Sestao (Vizcaya).
As for the pieces that are currently working in the Institute is called "Skin of Roda", stolen in December 1979 from the former Cathedral of Roda de Isábena (Huesca), located in Houston (USA) and returned to Spain a few months ago.
The tapestry of the sixteenth century "Madonna and San Vicente from San Ramon and San Valero", jewel of flamenco, is in good condition and currently freeds furniture IPCE technicians perform freeds furniture technical analysis and historical studies.
"At the moment, we have removed the liner had, allowing

us to study the tapestry from behind, see the original colors and see how they wove. Going to require very little restoration and the work was going to focus more on knowing the conditions optimum in which shall be preserved in the future, "said Ana Achoebe.
The curator of textiles also working on a "nanigo Suit", name given to members of Abakuá a magical-religious brotherhood of African origin that still remains in Cuba. The piece, very interesting from an anthropological point of view, comes from the Museum of America.
According to Maria Dolores Fuster conservative, the work was dirty and rusty varnishes paint with small gaps, but overall it was good. In addition we have proceeded to support and stabilize the paint layer, allowing the work to be included in several exhibitions in Seville, Italy and Brussels.
The IPCE contemporary works also arrive, which is a new challenge in the research. An example is the work of the Museum of Cáceres "Table No. 63" by Manuel Millares, featuring freeds furniture conservation issues pertaining mainly freeds furniture to the support and the paint layer.
On the occasion of the extension work being carried out in recent years in the National Archaeological Museum, freeds furniture many of the pieces in his collection are being restored, both at the museum and in the Institute.
The altarpiece, described by the curator Maria Porras as "very interesting" and to be displayed permanently in the Archaeological Museum, consists

of 14 tables spread across seven blocks topped freeds furniture by the Crucifixion in the central street.
With an important documentary value, according to Maria Porras, another piece in which you work is "The starting place" by Eugenio Lucas Velazquez, from the Museum of Romanticism, as well as the "San Andreas" belonging to the Cathedral of Avila, work workshop of José de Ribera who was very poor.
The deputy noted that the result of IPCE work Reflectography radiography and that was the discovery made portrait of a young woman under the "Portrait of Jovellanos on the beach of San Lorenzo", one of the two obr