The study was developed between February maison du monde bologna and May 2008. During this period m

The Period maison du monde bologna Heroico, history, mythology and first reflections on the conservation and sale of net.art is an approximation to context in which arises the art of internet. Research conducted by a mínima Revista de Art and New Technologies for Hamaca organization dedicated to video distribution and a half art de Spain.
Summary First Part: Starting from the question What do is net.art? is invites the reader to find out for himself offering a selected bibliography and a brief navigation guidance that includes the resources most interesting on the subject. Is selected textual documentation and photographic about art Internet using web tools 2.0. It has identified to the most significant artists of the early years of net.art e initiated a refresher maison du monde bologna by his most emblematic works, paying attention to the first nodes or places of encounter (its existence was fundamental for development Art internet). This paper reviews mailing lists as nettime, websites like the mythical adaweb, or spaces as The Thing, Aleph or Rhizome. Finally, have been collected the concerns of some early creators and their first responses (developed in the form of artistic projects) questions as How is can conserve an ephemeral art? Is it possible sell net.art?
Summary Second part: How are sells a digital artwork? Which holders are used? Where are sold these works? What changes have been detected maison du monde bologna in the commercial circuit in recent years? Is there a market of new media art?
The present study was raises these issues maison du monde bologna with in order to perform an approximation to current state of the marketing of digital maison du monde bologna art. Hablamos of net.art, of art of the code, of experiences cinematographic in network,

of electronic installations, of activism in network, of a set of artistic practices articulated around new technologies that is called new media art.
The work is divided maison du monde bologna into four parts: maison du monde bologna brackets and formats, an epigraph maison du monde bologna where are displayed end brackets and conditions of sale and marketing of artworks digital; commercial circuits, a journey through the galleries and contemporary art fairs where you can acquire this type of work; changes in the market, that includes statements of artists that analyze the current situation of the works in the commercial field; and is there a market of new media art? , A series of reflections of theorists and curators Spanish around this question.
To know the experiences maison du monde bologna of involved parties a questionnaire was sent via e-mail to artists who develop their practice creative in the art context digital, taking as reference the file you the magazine a mínima (http://www.aminima.net ) has accumulated during its five years of existence. From their statements were investigated the galleries and art fairs contemporary who represent them, well as those that keep a bet continued by this type of practices emerging artistic.
Also contacted via e-mail with theorists and curators Spanish inviting them to reflect on the following question: is there a market maison du monde bologna of new media art? . In this section have participated José Ramón Alcalá, José Luis Brea, Nilo Casares, Lourdes Cilleruelo and Vicente Matallana.
The study was developed between February maison du monde bologna and May 2008. During this period maison du monde bologna were initiated two events of great interest

to the elaboration of the work: Holi Fire, an exhibition of digital artwork sold organized by the IMAL (Interactive Media Art Laboratory) of Brussels and curated by Domenico Quaranta e Yves Bernard; and MOVE new media sho w, the first fair of art European digital driven by the commissioner Nilo Casares.